New York Classical Review1d
Worlds collide with nature and noir as Adams leads Philharmonic
The Gabriella Smith revolution came to David Geffen Hall Thursday night, as the California-born composer’s Lost Coast for ...
New York Classical Review2d
A first-rate cast brings the romance and heartache to Met’s “Bohème”
For this initial run, the strong cast offers soprano Ailyn Pérez as Mimi, tenor Dmytro Popov as Rodolfo, baritone Boris ...
New York Classical Review3d
Uchida and Marlboro Festival players offer a transcendent evening of chamber music
The music was from both present and past, with concise selections from György Kurtág preceding Beethoven’s E-flat Major Piano ...
New York Classical Review1d
Kaminsky’s “Lucidity” premiere offers worthy music and baffling staging at On Site Opera
On Site Opera gave the world premiere of Laura Kaminsky’s Lucidity on Thursday evening at the Abrons Arts Center in Manhattan’s Lower East Side. It’s a hot ticket with all three remaining New York ...
New York Classical Review5d
Pianist Fujita proves an introspective yet compelling presence in Carnegie recital
What followed intermission was in effect a new program, of Classical mien, featuring sets of variations. This genre can seem ...
New York Classical Review6d
The Gesualdo Six offer a moving musical experience with “Secret Byrd”
The Gesualdo Six performed a program titled “Secret Byrd” Saturday night at the Cathedral Church of St. John the Divine. The ...
New York Classical Review3d
A new cast still finding its footing in Met’s “Tosca”
With Tilman Michael, the Met’s new chorus master, this fine ensemble seems to be in very capable hands. Overenthusiasm aside, Nézet-Séguin knows his way around this score. Balance was never an issue, ...